Publications by Hajdu
Hajdu, Georg: “Syntactic Considerations on the Transcription of and Modulation Between Microtonal Scales” in: Mikrotöne: Small is Beautiful (edited by Agustin Castilla-Águstin). Mackingerverlag (2021).
Gottfried, Rama, and Georg Hajdu. Drawsocket: A Browser Based System For Networked Score Display. Proceedings of the International Conference on Technologies for Music Notation and Representation, Melbourne (2019).
Hajdu, Georg, and Rama Gottfried.: Networked Music Performance In The St. Pauli Elbe Tunnel. Proceedings of the Fifth International Conference on Technologies for Music Notation and Representation, Melbourne (2019).
Hajdu, G. and Didkovsky, N.: MaxScore: Recent Developments. Proceedings of the Fourth International Conference on Technologies for Music Notation and Representation, Montréal (2018).
Hajdu, Georg: “Composition as Construction of Cultural Identity“, in: Just in Tone and Time. Assoziationen an Manfred Stahnke. Hrsg. Helmer, B. und Hajdu, G.. Bockel Verlag, Neumünster (2017), pp. 111-129.
13 Jahre Masterstudiengang Multimediale Komposition an der Hochschule für
Musik und Theater Hamburg. Hrsg. Georg Hajdu (2017)
Hajdu, Georg: “Embodiment and Disembodiment in Networked Music Performance”, in Body, Sound and Space in Music and Beyond: Multimodal Explorations (edited by Clemens Wöllner). Routledge, 2017.
Hajdu, Georg: Macaque – A tool for spectral processing and transcription. Proceedings of the Third International Conference on Technologies for Music Notation and Representation, A Coruña (2017).
James, S., Hope, C., Vickery, L., Wyatt, A., Carey, B., Fu, X., and Hajdu, G.: Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore. Proceedings of the Third International Conference on Technologies for Music Notation and Representation, A Coruña (2017).
Hajdu, G., Carey, B., Lazarević, G., Weymann, E.: From Atmosphere to Intervention. Proceedings of the 17th international conference on New interfaces for Musical Expression, Kopenhagen (2017), 364-368.
Hajdu, Georg: Resurrecting a Dinosaur – The Adaption of Clarence Barlow’s Legacy Software AUTOBUSK. Proceedings of the Second International Conference on Technologies for Music Notation and Representation, Cambridge (2016).
Carey, B. & Hajdu, G.: Netscore: An image server/client package for transmitting notated music to browser and virtual reality interfaces. Proceedings of the Second International Conference on Technologies for Music Notation and Representation, Cambridge (2016).
Hajdu, Georg: Disposable Music. Computer Music Journal, Vol. 40, No. 1 (Spring 2016).
Hajdu, Georg: Die Transkription des Poème Vers la flamme op. 72 von Alexander Skrjabin für Bohlen-Pierce-Ensemble, in: Hrsg. Bense A., Gieseking M., Müßgens B.: Musik im Spektrum technologischer Entwicklungen und Neuer Medien. Festschrift für Bernd Enders, Osnabrück: epOs (2015), pp. 65-80.
Hajdu, Georg: Dynamic Notation – A Solution to the Conundrum of Non-Standard Music Practice. Proceedings of the First International Conference on Technologies for Music Notation and Representation, Paris (2015).
Müller, N-L., Orlandatou, K. and Hajdu, G.: Starting Over – Chances Afforded by a New Scale in: 1001 Mikrotöne | 1001 Microtones. Hrsg. Sarvenaz Safari und Manfred Stahnke. Bockel Verlag, Neumünster (2014), pp. 127-173.
Hajdu, Georg: “Disposable Music” in: Die Dynamik kulterellen Wandels. Hrsg. Jenny Svensson. Schriften des Instituts für kulturelle Innovationsforschung an der Hochschule für Musik und Theater Hamburg, Bd. 2. LIT Verlag, Berlin (2013), pp. 227-244.
Hajdu, G. and Didkovsky, N.: MaxScore – Current State of the Art. Proceedings of the International Computer Music Conference. (2012)
Hajdu, G: Composing for Networks. Proceedings of the Symposium for Laptop Ensembles and Orchestras (2012).
Hajdu, G., Niggemann, K., Siska A., Szigetvári, A.: Notation in the Context of Quintet.net Projects. Contemporary Music Review, 29, 1 (2010), pp. 39 – 53.
Hajdu, G. and Didkovsky, N.: On the Evolution of Music Notation in Network Music Environments. Contemporary Music Review, 28, 4 & 5 (2009), pp. 395 – 407.
Real-time Composition and Notation in Network Music Environments, Proceedings of the International Computer Music Conference. (2008). CD-ROM.
Didkovsky, N. and Hajdu, G.: MaxScore Music Notation in Max/MSP. Proceedings of the International Computer Music Conference. (2008). CD-ROM
Hajdu, Georg: Getrennte Körper – Musiker im Netz. Positionen 74 – Dispositive. Februar 2008, pp. 29-31.
Hajdu, Georg: Playing Performers – Ideas about Mediated Network Music Performance. Proceedings of the Music in the Global Village Conference. Budapest (2007), pp. 41-42.
Hajdu, Georg: Automatic Composition and Notation in Network Music Environments. SMC’06 Conference Proceedings. Marseille (2006), pp. 109-114.
Hajdu, Georg: “Research and Technology in the Opera Der Sprung”. Nova Acta Leopoldina, 92 Nr. 341 (2005), pp. 63-89.
Hajdu, Georg: “Überlegungen zu einer neuen Theorie der Harmonie” in: Mikrotöne und mehr. Hrsg. Manfred Stahnke, Schriftenreihe: Musik und. Band 8. Hrsg. Hanns-Werner Heister und Wolfgang Hochstein. Weidler Verlag, Berlin (2005), pp. 165-187.
Hajdu, Georg: “Der Computer als Inspirationsquelle für Komponisten” in: Mathematische Musik – musikalische Mathematik. Hrsg. Bernd Enders. PFAU-Verlag, Saarbrücken (2005), pp. 48-61.
Hajdu, Georg: “Quintet.net: An Environment for Composing and Performing Music on the Internet,” LEONARDO Vol. 38, No. 1 (2005), pp. 23-30.
Hajdu, Georg: “Quintet.net” Neue Zeitschrift für Musik. 5 (2004). p. 28.
Hajdu, Georg: Composition and improvisation on the Net. SMC’04 Conference Proceedings. IRCAM, Paris (2004). pp. 5-8.
Hajdu, Georg: Quintet.net – A Quintet on the Internet. Proceedings of the International Computer Music Conference. (2003). pp. 315-318
Hajdu, Georg: “Quintet.net—Präliminarien zu einer vernetzten, interaktiven Echtzeitkompositionsumgebung”, in Bernd Enders and Joachim Stange-Elbe, eds., Global Village-–-Global Brain––Global Music. Universitätsverlag Rasch, Osnabrück (2003), pp. 298-303.
Hajdu, Georg: Klang im Internet. Potentiale und Grenzen. Positionen 56. (2003), pp. 22-23.
Hajdu, Georg: “Der reißende Strom” Musiktexte 97. Mai 2003.
Hajdu, Georg: Aktualität eines Mythos. Orpheus Kristall im Quintet.net. Positionen 51, 2002, pp. 47-50.
Hajdu, Georg: Replik. Zu dem Brief von Jean-Claude Risset “Tonbandmusik ist nicht obsolet”. Musiktexte 91, 2001, p. 91.
Hajdu, Georg: The Eternal Glissando Machine. In memoriam Iannis Xenakis. Musiktexte 89, 2001, pp. 41-42.
Hajdu, Georg: Vom Modell zum Kunstwerk. Klangart 1997 – Kongressbeitrag, in: Musik und Medientechnologie, Band 3. Osnabrück 2000, pp. 235-246.
Hajdu, Georg: Musik und die Medien. Kulturtrip (Journal published by the Ministry of Culture in Northrhine-Westfalia).
Hajdu, Georg: Wege zu einer neuen Harmonielehre. Zeitschrift der Hochschule für Musik Detmold. Sommersemester 1997, 2-5.
Hajdu, Georg: Circularity in neural computation and its application to musical composition. Proceedings of the International Computer Music Conference, 1995, pp. 363-365.
Hajdu, Georg: Low Energy and Equal Spacing; the Multifactorial Evolution of Tuning Systems.Interface, 22, 1993, pp. 319-333.
Hajdu, Georg: 17 Tones. Proceedings of the International Computer Music Conference, 1992, pp. 449-450.
17 Töne. A collection of compositions in 17-tone equal temperament by C. Barlow, C.Bauckholt, G. Hajdu, C.J. Walter, and C. Wilkens. Georg Hajdu (editor).
Hajdu, Georg: Computermusik in der Bay Area. Das Center for New Music and Audio Technologies. Neue Zeitschrift für Musik 10, 1991, pp. 34-36.
Hajdu, Georg: Die Domestizierung des Zufalls in Klarenz Barlows Computerprogramm AUTOBUSK (The Domestication of Chance in Clarence Barlow’s Computer Program AUTOBUSK). Neue Zeitschrift für Musik 8/9, 1990, pp. 8-14.
Hajdu, Georg: Harmonische Energie – Motor bei der Evolution ‘relevanter’ Tonsysteme (Harmonic energy – moving force in the evolution of ‘relevant’ tuning systems). Feedback Papers 35, 1989, pp. 1-35.
Publications on Hajdu
Eberhard Hüppe: Fragmentarische Überlegungen zu Georg Hajdu’s “Der Sprung.” MusikTexte 81/82, 135-36 (1999).
Eberhard Hüppe: Some Fragmentary Thoughts on Georg Hajdu’s “Der Sprung.” Computer Music Journal (Summer 2000).
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